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The Oxford Blue

The Oxford Blue

Oxford University's Independent Newspaper | Est. 2020

  • News and Sport
    • Oxford News
    • Sports
  • Opinion
    • Features
  • Global Affairs
    • Outside OX1
  • Identity
    • LGBTQ+
    • Feminism
    • Disability
    • ERM (Ethnic and Religious Minorities)
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  • Environment
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    • Film & TV
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    • Literature
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  • Lifestyle
    • Health and Wellbeing
    • Relationships
    • Travel
    • Food
    • E-Lifestyle
    • Spotlight
    • Oxford Collaborations
  • Columns
    • Previous Columns
      • Beyond the Bubble
      • Love Letters
      • Musings of a Media Lover
      • Beyond the Footnotes
      • Heal Between the Lines
      • Admissions of a Rusticated Student
      • Objectifying Oxford
      • SaTired: Observations of a Finalist
      • Your College Auntie
      • Wine Waffle
      • Borders and Belonging
    • InterMEDIAte
    • Risk Appetite
    • Lady Grinning Soul
    • Second Draft
    • Low Concept
  • Profiles
  • The Bluebell
  • Contact Us
  • Mailing List
  • Alumni – can you help us?
  • The Archive
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      • The Oxford Blue Freshers’ Guide 2024
      • The Oxford Blue Freshers’ Guide 2023
      • The Oxford Blue Freshers’ Guide 2022
      • The Oxford Blue Freshers’ Guide 2021

Author Archives: Reya Muller

Reya (she/her) is a Theatre Editor at the Oxford Blue. Outside of her degree, Reya spends most of her time involved in student theatre and is an avid writer of both prose and poetry. She was an editor for the lockdown art collective Hypaethral and has published articles at the Blue ranging from gushing about Michaela Coel to describing how best to fry bread (never too much butter). In her spare time, she can be found either making or eating dumplings.

Posted inTheatre

Mischievous Entertainment: A Preview of ‘Waiting For George-O’

by Reya Muller March 9, 2021July 18, 2021
Posted inCulture

‘I Care A Lot’: A commentary on amoral female protagonists

by Reya Muller March 6, 2021March 13, 2021
Posted inTheatre

‘Spoon River Anthology’ Preview: Innovation and Creativity Triumph

by Reya Muller February 22, 2021February 22, 2021
Posted inTheatre

Behind the Scenes with the Cast and Crew of ‘And the walls spoke’

by Reya Muller November 30, 2020November 30, 2020
Posted inLifestyle

Musical Medicine: Six melodies to soothe your broken heart

by Reya Muller August 19, 2020August 19, 2020
Posted inFilm & TV

Euphoria & Pain: How Michaela Coel is challenging the limits of modern storytelling

by Reya Muller July 23, 2020July 23, 2020
Posted inCulture

TV Dinners: The Chef Show

by Reya Muller May 30, 2020May 30, 2020
Posted inMusic

Rooms of their own: Boiler Room takes things House to House

by Reya Muller May 6, 2020May 6, 2020
Posted inCulture

Review: The Pillowman

by Reya Muller February 1, 2020February 1, 2020

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Spotlight – All work and no play makes an exhausted Oxford student

Reya Muller Jun 10, 2026 7 min read
Five hardback Russian books

I have now finished my long eight-day stint of shifts. In the next few days off that I have, I look forward to utilising my…

Braids: How do they represent us?

Reya Muller Jun 10, 2026 6 min read
A photo of a girl from behind, showing her braided hair.

“Hair represents us. It is a means of self-expression, and a channel for our creativity, used for centuries, if not millennia, in this way. Since…

What’s in a Title

Reya Muller Jun 10, 2026 10 min read
An empty library between the bookshelves.

“Let’s say you’ve written a novel. Now comes the tricky question: what punchy word or phrase could you possibly use to encapsulate your story? You…

As You Like It at Green Templeton College Garden: Reviewed

Reya Muller Jun 10, 2026 6 min read
cast of As You Like It

The play was a success: entertaining, well-staged, and followable without a necessarily perfect understanding of the Shakespearean language.

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