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The Oxford Blue

The Oxford Blue

Oxford University's Independent Newspaper | Est. 2020

  • News and Sport
    • Sports
    • Interviews
  • Opinion
    • Features
  • Global Affairs
    • Outside OX1
    • Across the Aisle
  • Identity
    • LGBTQ+
    • Feminism
    • Disability
    • ERM (Ethnic and Religious Minorities)
    • Diaries of a Thought Son
    • (Dis)abled
    • Not Just A Stereotype
    • Words of a Multiple
  • Environment
  • Culture
    • Film & TV
    • Music
    • Theatre
    • Fashion
    • Literature
  • Lifestyle
    • The Lifestyle Lowdown
    • Health and Wellbeing
    • Relationships
    • Travel
    • Food
    • Love Comes out of The Blue
  • Columns
    • Previous Columns
      • Beyond the Bubble
      • Love Letters
      • Musings of a Media Lover
      • Beyond the Footnotes
      • Heal Between the Lines
      • Admissions of a Rusticated Student
      • Objectifying Oxford
      • SaTired: Observations of a Finalist
      • Your College Auntie
      • Wine Waffle
    • Borders and Belonging
    • InterMEDIAte
    • Risk Appetite
  • Profiles
  • The Bluebell
  • Contact Us
  • Mailing List
  • Alumni – can you help us?
  • The Archive
    • 5 Years of The Blue
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    • Freshers’ Guides
      • The Oxford Blue Freshers’ Guide 2024
      • The Oxford Blue Freshers’ Guide 2023
      • The Oxford Blue Freshers’ Guide 2022
      • The Oxford Blue Freshers’ Guide 2021

Author Archives: Reya Muller

Reya (she/her) is a Theatre Editor at the Oxford Blue. Outside of her degree, Reya spends most of her time involved in student theatre and is an avid writer of both prose and poetry. She was an editor for the lockdown art collective Hypaethral and has published articles at the Blue ranging from gushing about Michaela Coel to describing how best to fry bread (never too much butter). In her spare time, she can be found either making or eating dumplings.

Posted inTheatre

Mischievous Entertainment: A Preview of ‘Waiting For George-O’

by Reya Muller March 9, 2021July 18, 2021
Posted inCulture

‘I Care A Lot’: A commentary on amoral female protagonists

by Reya Muller March 6, 2021March 13, 2021
Posted inTheatre

‘Spoon River Anthology’ Preview: Innovation and Creativity Triumph

by Reya Muller February 22, 2021February 22, 2021
Posted inTheatre

Behind the Scenes with the Cast and Crew of ‘And the walls spoke’

by Reya Muller November 30, 2020November 30, 2020
Posted inLifestyle

Musical Medicine: Six melodies to soothe your broken heart

by Reya Muller August 19, 2020August 19, 2020
Posted inFilm & TV

Euphoria & Pain: How Michaela Coel is challenging the limits of modern storytelling

by Reya Muller July 23, 2020July 23, 2020
Posted inCulture

TV Dinners: The Chef Show

by Reya Muller May 30, 2020May 30, 2020
Posted inMusic

Rooms of their own: Boiler Room takes things House to House

by Reya Muller May 6, 2020May 6, 2020
Posted inCulture

Review: The Pillowman

by Reya Muller February 1, 2020February 1, 2020

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Reya Muller May 1, 2026 5 min read
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David Mamet’s Oleanna is a difficult play. Difficult in that it raises hard questions about how we respond to claims of sexual harassment and imbalances…

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Music is ubiquitous in our lives. From the playlists we make for every imaginable activity to the constant drone of mundane pop at restaurants and…

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