Posted inCulture ENRON Review: A Riveting Tale of Corporate Greed by Ava Doherty February 15, 2025February 15, 2025
Posted inCulture Albee’s The Goat at the Michael Pilch Studio: Reviewed by Rohit Ghosh February 14, 2025February 14, 2025
Posted inCulture Jonathan Bailey as Richard II: ‘dynamic and often comical’ by Kiaya Phillips February 13, 2025February 13, 2025
Posted inCulture Sheridan’s The Critic at the Michael Pilch Studio: Reviewed by Emma Cooley February 7, 2025February 13, 2025
Posted inCulture Kirkwood’s The Children at the Burton Taylor Studio: Reviewed by Eliza Copland February 6, 2025February 7, 2025
Posted inCulture Pinter’s The Lover at the Keble O’Reilly: Reviewed by Rohit Ghosh February 5, 2025February 5, 2025
Posted inCulture Into the Woods at The Oxford Playhouse: Reviewed by Aria Chakravorty January 31, 2025February 5, 2025
Posted inCulture Make me ugly: Friendship, lust, and directing Othello. by Cici Zhang January 29, 2025January 31, 2025