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The Oxford Blue

The Oxford Blue

Oxford University's Independent Newspaper | Est. 2020

  • News and Sport
    • Oxford News
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    • Features
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    • LGBTQ+
    • Feminism
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  • Environment
  • Culture
    • Film & TV
    • Music
    • Theatre
    • Fashion
    • Literature
    • Internet Culture
  • Lifestyle
    • Health and Wellbeing
    • Relationships
    • Travel
    • Food
    • E-Lifestyle
    • Spotlight
    • Oxford Collaborations
  • Columns
    • Previous Columns
      • Beyond the Bubble
      • Love Letters
      • Musings of a Media Lover
      • Beyond the Footnotes
      • Heal Between the Lines
      • Admissions of a Rusticated Student
      • Objectifying Oxford
      • SaTired: Observations of a Finalist
      • Your College Auntie
      • Wine Waffle
      • Borders and Belonging
    • InterMEDIAte
    • Risk Appetite
    • Lady Grinning Soul
    • Second Draft
    • Low Concept
  • Profiles
  • The Bluebell
  • Contact Us
  • Mailing List
  • Alumni – can you help us?
  • The Archive
    • 5 Years of The Blue
    • The Blueprint
    • Freshers’ Guides
      • The Oxford Blue Freshers’ Guide 2024
      • The Oxford Blue Freshers’ Guide 2023
      • The Oxford Blue Freshers’ Guide 2022
      • The Oxford Blue Freshers’ Guide 2021

Author Archives: Evie Craggs

Evie Craggs (she/her) is the senior editor for the Identity section of The Blue this term. Other than writing her problems and passions down in articles, she is normally found reading in a coffee shop or playing video games.

Posted inIdentity

Oxford Speaks: Experiencing Queer Joy

by Evie Craggs, Charlie Bowden, Bella Done, Amelia Wolf, Spike Greenwood, Callie Phillips, Finn Emmens-green and Benjamin Danet February 13, 2023June 14, 2024
Posted inIdentity

Seeing Spilt Milk: A Queer Feminist Exhibition

by Evie Craggs February 6, 2023June 14, 2024
Posted inOpinion

The Dahmer Series: Stop obsessing over serial killers

by Evie Craggs and Caitlin Cooper November 12, 2022November 12, 2022
Posted inIdentity

The Elephant in the Newsroom: Discovering Your Voice

by Lucy Heywood, Ruben Martin-Ward, Zariel Konadu, Evie Craggs, Thomas Evans, Sophie Benbelaid, Thripty Dutt and Imogen Edmundson October 9, 2022October 9, 2022
Posted inThe Oxford Blue Freshers' Guide 2022

Freshers’ Guide 2022

by Lucy Heywood, Leyla Baxman, Ben Blackburn, Guy Ward-Jackson, Amy Ellis Winter, Elisabetta Molteni, Elspeth Knight, Evie Craggs, Frances Dowle, Gioia Grafin Von Donhoff, Hannah-Sarah Selig, Rosie Somers, Sophie Mackenzie, Thomas Britton and Thomas Evans September 17, 2022September 19, 2022
Posted inOpinion

It’s time to talk about HIV testing

by Evie Craggs September 17, 2022September 20, 2022
Posted inFeatures

Transphobia: The UK’s “Respectable” Bigotry

by Evie Craggs and Thomas Britton August 20, 2022August 20, 2022
Posted inOpinion

Hidden Aces: The lack of asexual representation in the media

by Evie Craggs August 7, 2022August 7, 2022
Posted inOpinion

My Perspective on Problems in Policing

by Evie Craggs February 22, 2022February 25, 2025
Posted inOpinion

When is it right to read? My views on ethical reading

by Evie Craggs January 25, 2022January 25, 2022

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Spotlight – All work and no play makes an exhausted Oxford student

Evie Craggs Jun 10, 2026 7 min read
Five hardback Russian books

I have now finished my long eight-day stint of shifts. In the next few days off that I have, I look forward to utilising my…

Braids: How do they represent us?

Evie Craggs Jun 10, 2026 6 min read
A photo of a girl from behind, showing her braided hair.

“Hair represents us. It is a means of self-expression, and a channel for our creativity, used for centuries, if not millennia, in this way. Since…

What’s in a Title

Evie Craggs Jun 10, 2026 10 min read
An empty library between the bookshelves.

“Let’s say you’ve written a novel. Now comes the tricky question: what punchy word or phrase could you possibly use to encapsulate your story? You…

As You Like It at Green Templeton College Garden: Reviewed

Evie Craggs Jun 10, 2026 6 min read
cast of As You Like It

The play was a success: entertaining, well-staged, and followable without a necessarily perfect understanding of the Shakespearean language.

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