Posted inCulture BRAIN FREEZE: Passion, talent, and experience create a powerful production by Helena Aeberli March 1, 2022March 1, 2022
Posted inCulture Sweeney Todd: The Demon Barber of Fleet Street Review by Erin Broadhurst February 9, 2022February 9, 2022
Posted inCulture Review: The People vs. The Oxford Revue by Megan Kavanagh January 24, 2022January 24, 2022
Posted inCulture, Student Drama, Theatre Review: ‘A Christmas Carole’ by Katharine Spurrier December 2, 2021December 2, 2021
Posted inCulture Everyone Wants to Murder Their Mother: Why we keep watching the ‘Oresteia’ by Ailbhe Sweeney November 12, 2021November 12, 2021
Posted inCulture Classical Cabaret: ‘Songs of the Silenced’ by Tallulah Knowles October 18, 2021October 19, 2021
Posted inCulture October Review: ‘Les Misérables’ at the Dallas Theatre Centre by Eliza Niblett October 2, 2021October 2, 2021
Posted inCulture From dusk till dawn; the aesthetics of Maya Little’s Home Fires. by Marietta Kosma August 9, 2021August 9, 2021
