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The Oxford Blue

The Oxford Blue

Oxford University's Independent Newspaper | Est. 2020

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Category: Theatre

An image of two cast members sat on a sofa of the set looking at each other
Posted inCulture

In Praise of Love at the Burton Taylor Studio: Reviewed

by Chau Anh Nguyen November 1, 2025November 1, 2025
An image of four cast members sat and laughing around a table of the set
Posted inCulture

The Detention at the Michael Pilch Studio: Reviewed

by Rohit Ghosh October 31, 2025November 3, 2025
Posted inCulture

Uncle Vanya at the Keble O’Reilly Theatre: Reviewed

by Esme Gutch October 31, 2025October 31, 2025
The silhouettes of a couple holding hands behind a white sheet
Posted inCulture

The Last Five Years at the Michael Pilch Studio: Reviewed

by Oliver Martin October 17, 2025October 16, 2025
Iago
Posted inCulture

Iago: Working Class Villain?

by Ebony-Coco De Lara June 20, 2025June 20, 2025
Illustration of an actor on stage, holding a skull in his left hand and surrounded by laughter
Posted inCulture

Why does tragedy make us laugh?

by Aria Chakravorty June 15, 2025June 15, 2025
Posted inCulture

The Writer at the Michael Pilch Studio: Reviewed

by Janik Peeters June 13, 2025June 13, 2025
Posted inCulture

Crocodile Tears: A Love Story in the Age of Surveillance

by Ava Doherty June 12, 2025June 12, 2025
Dim lighting, two people lying on top of a table next to a laptop and various items as part of The Antipodes's setting
Posted inCulture

Baker’s The Antipodes at the Michael Pilch Studio: Reviewed

by Rohit Ghosh June 6, 2025June 6, 2025
Poster for Full Moon Theatre's production of Blood Wedding, featuring a black and white photograph of a young woman in the middle and two young men on the side. She is dancing while they are looking at her. AT the top, "Blood wedding" is written in red.
Posted inCulture

Blood Wedding at the Oxford Playhouse: Reviewed

by Lucie Fellwock June 6, 2025June 6, 2025

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Scenes With Girls at the Burton Taylor Studio: Reviewed

Laurence Britton Jun 11, 2026 6 min read
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“Are they safe, or dangerously codependent? Is this life, paradoxically within and without heteronormativity, sustainable? Is this real girlhood? Is this enough?” Aimee Dixon reviews…

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The Exportation of British Misogyny

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Spotlight – All work and no play makes an exhausted Oxford student

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