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The Oxford Blue

The Oxford Blue

Oxford University's Independent Newspaper | Est. 2020

  • News and Sport
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    • Love Comes out of The Blue
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      • Musings of a Media Lover
      • Beyond the Footnotes
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      • Objectifying Oxford
      • SaTired: Observations of a Finalist
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Category: Culture

Posted inCulture

So Bad, it’s Good: In Defence of A Minecraft Movie

by Rohit Ghosh June 14, 2025June 13, 2025
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The Writer at the Michael Pilch Studio: Reviewed

by Janik Peeters June 13, 2025June 13, 2025
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Crocodile Tears: A Love Story in the Age of Surveillance

by Ava Doherty June 12, 2025June 12, 2025
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Are big concerts still worth it, or is live music making a swift exit?

by Harriet Norris June 10, 2025June 9, 2025
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The Faces Behind Common Ground: Eddie Whittingham and Alex Chesters

by Lauren Lendrevie June 9, 2025June 8, 2025
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The Inability to Read for Leisure Disease

by Ngoc Diep (Alice) June 9, 2025June 9, 2025
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“He’s got my past frozen behind glass, but I’ve got me”: Why Taylor Swift’s masters matter

by Nithusha Sathyendran June 8, 2025June 8, 2025
Posted inCulture

Popular, you’re gonna be popular – On the “Wicked: For Good” trailer release

by Patricia Euler June 7, 2025June 12, 2025
Dim lighting, two people lying on top of a table next to a laptop and various items as part of The Antipodes's setting
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Baker’s The Antipodes at the Michael Pilch Studio: Reviewed

by Rohit Ghosh June 6, 2025June 6, 2025
Poster for Full Moon Theatre's production of Blood Wedding, featuring a black and white photograph of a young woman in the middle and two young men on the side. She is dancing while they are looking at her. AT the top, "Blood wedding" is written in red.
Posted inCulture

Blood Wedding at the Oxford Playhouse: Reviewed

by Lucie Fellwock June 6, 2025June 6, 2025

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