Posted inCulture “We’re really trying to make it as scary as possible.” In conversation with the director of The Pillowman by Emma Cooley February 25, 2025May 29, 2025
Posted inCulture Gianni Schicchi Reviewed: Love, Greed, and Deception by Ngoc Diep (Alice) February 22, 2025May 29, 2025
Posted inCulture Up Styx Creek Reviewed: Who is Aristophanes Actually? by Ngoc Diep (Alice) February 20, 2025May 29, 2025
Posted inCulture ENRON Review: A Riveting Tale of Corporate Greed by Ava Doherty February 15, 2025May 29, 2025
Posted inCulture Albee’s The Goat at the Michael Pilch Studio: Reviewed by Rohit Ghosh February 14, 2025May 29, 2025
Posted inCulture Jonathan Bailey as Richard II: ‘dynamic and often comical’ by Kiaya Phillips February 13, 2025May 29, 2025
Posted inCulture Sheridan’s The Critic at the Michael Pilch Studio: Reviewed by Emma Cooley February 7, 2025May 29, 2025
Posted inCulture Kirkwood’s The Children at the Burton Taylor Studio: Reviewed by Eliza Copland February 6, 2025May 29, 2025
Posted inCulture Pinter’s The Lover at the Keble O’Reilly: Reviewed by Rohit Ghosh February 5, 2025May 29, 2025
