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The Oxford Blue

The Oxford Blue

Oxford University's Independent Newspaper | Est. 2020

  • News and Sport
    • Sports
    • Interviews
  • Opinion
    • Features
  • Global Affairs
    • Outside OX1
    • Across the Aisle
  • Identity
    • LGBTQ+
    • Feminism
    • Disability
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    • Diaries of a Thought Son
    • (Dis)abled
    • Not Just A Stereotype
    • Words of a Multiple
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  • Culture
    • Film & TV
    • Music
    • Theatre
    • Fashion
    • Literature
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    • The Lifestyle Lowdown
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    • Relationships
    • Travel
    • Food
    • Love Comes out of The Blue
  • Columns
    • Previous Columns
      • Beyond the Bubble
      • Love Letters
      • Musings of a Media Lover
      • Beyond the Footnotes
      • Heal Between the Lines
      • Admissions of a Rusticated Student
      • Objectifying Oxford
      • SaTired: Observations of a Finalist
      • Your College Auntie
      • Wine Waffle
    • Borders and Belonging
    • InterMEDIAte
    • Risk Appetite
  • Profiles
  • The Bluebell
  • Contact Us
  • Mailing List
  • Alumni – can you help us?
  • The Archive
    • 5 Years of The Blue
    • The Blueprint
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      • The Oxford Blue Freshers’ Guide 2024
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      • The Oxford Blue Freshers’ Guide 2022
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Category: Culture

Posted inCulture

T.S Eliot prize: Explorations of Testimony

by Andreas Janssen February 12, 2020April 19, 2020
Posted inCulture

The 92nd Academy Awards: An Initial Reaction

by Lily Sheehy February 10, 2020February 10, 2020
Posted inFilm & TV

Review: Sex Education Season Two

by Sarah Lewis February 10, 2020February 10, 2020
Posted inMusic

5 Records That Went Under The Radar In 2019

by Luke Johnston February 10, 2020February 10, 2020
Posted inMusic

Mac Miller’s ‘Circles’ and the Ethics of Posthumous Albums

by Thomas Carter February 10, 2020February 10, 2020
Posted inCulture

Miss Americana: Why I have Bad Blood with Taylor Swift’s new documentary

by Tatiana Gilfillan February 10, 2020February 10, 2020
Posted inFilm & TV

The Lighthouse Review: Barnacled Bathos

by Colette Webber February 9, 2020February 10, 2020
Posted inCulture

What We’re Into This Week: 9/2/20

by Emmeline Armitage February 9, 2020February 9, 2020
Posted inCulture

Measure for Measure review: “A whirlwind of corruption and office intrigue”

by Osian Williams February 8, 2020December 23, 2020
Posted inFilm & TV

Parasite Review: Mischievous Genius

by Bailey Finch-Robson February 7, 2020February 8, 2020

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