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The Oxford Blue

Oxford University's Independent Newspaper | Est. 2020

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Category: Literature

Posted inLiterature

A Search for Catharsis: A Review of “On Earth We’re Briefly Gorgeous” by Ocean Vuong

by Yihang Fang October 29, 2020October 30, 2020
Posted inCulture

“Convenience Store Woman”: perspectives on deviation and conformity within the Japanese psyche

by Madeleine Ridout October 28, 2020October 28, 2020
Posted inCulture

Eating French to be French

by Ben O'Brien October 7, 2020October 7, 2020
Posted inCulture

Peonies: consuming otherness

by Wei Kai Ng October 6, 2020July 18, 2021
Posted inCulture

Kae Tempest’s ‘On Connection’: A Review

by Max Spokes October 4, 2020October 4, 2020
Posted inCulture

The world in your head: A review of Flights by Olga Tokarczuk

by Lily Down September 28, 2020July 18, 2021
Posted inCulture

Up for audition – can audiobooks compete with the written word?

by Tom Martland September 24, 2020September 24, 2020
Posted inCulture

The Lockdown Diet: Fictional Worlds Ready-Made

by Declan Nelson September 24, 2020July 18, 2021
Posted inCulture

Too Much Reality?!: Why technology is absent from literature

by Katharine Spurrier September 18, 2020September 18, 2020
Posted inCulture

“I sconce anyone who only got into Oxford because they are black”, an Interview with Barrister Alexandra Wilson.

by Oscar H Robins September 8, 2020September 8, 2020

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Julia Blackmon Mar 2, 2026 11 min read
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Outside OX1 Week 6: Mexico, the Netherlands and the US

Lola Dunton-Milenkovic Mar 2, 2026 14 min read
Artwork of key Oxford Landmarks, such as the Radcliffe Camera and Sheldonian Theatre, within a globe Image. Credit by Evie Fairclough-Kay

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So Bad, It’s Good: Megalopolis taught me to lower my expectations

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An illustration of a scene from Megalopolis: a woman in a gold dress is laying on a red couch.

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