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The Oxford Blue

The Oxford Blue

Oxford University's Independent Newspaper | Est. 2020

  • News and Sport
    • Sports
    • Interviews
  • Opinion
    • Features
  • Global Affairs
    • Outside OX1
    • Across the Aisle
  • Identity
    • LGBTQ+
    • Feminism
    • Disability
    • ERM (Ethnic and Religious Minorities)
    • Diaries of a Thought Son
    • (Dis)abled
    • Not Just A Stereotype
    • Words of a Multiple
  • Environment
  • Culture
    • Film & TV
    • Music
    • Theatre
    • Fashion
    • Literature
  • Lifestyle
    • The Lifestyle Lowdown
    • Health and Wellbeing
    • Relationships
    • Travel
    • Food
    • Love Comes out of The Blue
  • Columns
    • Previous Columns
      • Beyond the Bubble
      • Love Letters
      • Musings of a Media Lover
      • Beyond the Footnotes
      • Heal Between the Lines
      • Admissions of a Rusticated Student
      • Objectifying Oxford
      • SaTired: Observations of a Finalist
      • Your College Auntie
      • Wine Waffle
    • Borders and Belonging
    • InterMEDIAte
    • Risk Appetite
  • Profiles
  • The Bluebell
  • Contact Us
  • Mailing List
  • Alumni – can you help us?
  • The Archive
    • 5 Years of The Blue
    • The Blueprint
    • Freshers’ Guides
      • The Oxford Blue Freshers’ Guide 2024
      • The Oxford Blue Freshers’ Guide 2023
      • The Oxford Blue Freshers’ Guide 2022
      • The Oxford Blue Freshers’ Guide 2021

Category: Culture

Posted inMusic

An Alternative Christmas

by Jennifer Goodier January 2, 2021January 2, 2021
Posted inLiterature

A Literary Survival Guide for the Festive Season

by Sofie Cristobal January 1, 2021July 18, 2021
Posted inTheatre

The Dancing Men Review: An Engaging and Innovative Adaptation of a Sherlock Holmes Thriller

by Gregor Roach December 26, 2020December 26, 2020
Posted inCulture

How much actually is there to love in Richard Curtis’ Love Actually

by Jaya Rana December 24, 2020December 24, 2020
Posted inCulture, Theatre

Plays That Made Me: Hamilton, the Listened Experience and the Democratisation of Musical Theatre

by Grace Olusola December 16, 2020December 16, 2020
Posted inCulture

Roman Holiday: Where Wishes Come True

by Yexuan Zhu December 14, 2020December 14, 2020
Posted inCulture

‘Of Substance’ or ‘In Spirit’?

by Katharine Spurrier December 14, 2020December 14, 2020
Posted inCulture

A stage of one’s own: a review of ‘And the Walls Spoke’

by Helena Aeberli December 10, 2020July 18, 2021
Posted inCulture

The existential crisis of The Princess Switch 2: Switched Again

by Thang Tu December 8, 2020July 18, 2021
Posted inCulture

Rain before Rainbows: An Interview with Alicia Hayden

by Julia Merican December 8, 2020December 8, 2020

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