Posted inCulture “We’re really trying to make it as scary as possible.” In conversation with the director of The Pillowman by Emma Cooley February 25, 2025May 29, 2025
Posted inCulture Jonathan Bailey as Richard II: ‘dynamic and often comical’ by Kiaya Phillips February 13, 2025May 29, 2025
Posted inCulture Kirkwood’s The Children at the Burton Taylor Studio: Reviewed by Eliza Copland February 6, 2025May 29, 2025
Posted inCulture Make me ugly: Friendship, lust, and directing Othello. by Cici Zhang January 29, 2025July 2, 2025
Posted inCulture ‘You will laugh, you will sigh, and you will squirm’ Review of Les Liaisons Dangereuses by Kiaya Phillips November 9, 2024November 9, 2024
Posted inCulture Gwyneth Goes Skiing: Hit and Home Run by Joseph Foley October 28, 2024October 27, 2024
Posted inCulture Demystifying OUDS: Interview with President Lydia Free by Kiaya Phillips October 6, 2024October 6, 2024
Posted inCulture ‘As clean and witty as the original script’: Review of The Real Thing by Sofia Mollona September 15, 2024September 17, 2024
