Posted inCulture The Sound Of Magic: Revisiting the Pre-Covid Stage with Harry Potter and the Cursed Child by Amelie Bhaluani March 25, 2021July 18, 2021
Posted inCulture A play for the Present: The Picture of Dorian Gray by Gaia Clark Nevola March 16, 2021July 18, 2021
Posted inCulture ‘There is no darkness but ignorance’: Sensation and subversion in Twelfth Night by Zoe Lambert March 14, 2021March 16, 2021
Posted inTheatre 7 (St)ages of Recovery – Why Nothing Says a Return to the Normal Quite Like Shakespeare’s Globe by Jessica Steadman March 10, 2021March 10, 2021
Posted inTheatre Mischievous Entertainment: A Preview of ‘Waiting For George-O’ by Reya Muller March 9, 2021July 18, 2021
Posted inCulture Candide, or why Optimism is not always for the best by Francesca Duke March 3, 2021July 18, 2021
Posted inTheatre Sea Wall Review: An Elegant, Emotionally-Powerful Production by Gaia Clark Nevola February 23, 2021February 23, 2021
Posted inTheatre ‘Spoon River Anthology’ Preview: Innovation and Creativity Triumph by Reya Muller February 22, 2021February 22, 2021
Posted inCulture BEYOND THE FRAME: Not Throwing Away My Shot – Can digital adaptations still bring us drama? by Jessica Steadman February 19, 2021February 19, 2021
Posted inCulture BEYOND THE FRAME: Come to the Cabaret by Leona Crawford February 8, 2021February 11, 2021
