Posted inTheatre To Be (online) or Not to Be – The Future of Online Theatre by Sophie McDonald June 7, 2021June 7, 2021
Posted inCulture The timeless tale of star-crossed lovers: Romeo and Juliet at the NT by Amelie Bhaluani May 19, 2021July 18, 2021
Posted inCulture Orestes at the Playhouse : A (virtual) product of its time by Alice Main May 18, 2021May 18, 2021
Posted inCulture Mute Point: live comedy during and after the pandemic by Alex Burgar April 14, 2021April 14, 2021
Posted inCulture The Sound Of Magic: Revisiting the Pre-Covid Stage with Harry Potter and the Cursed Child by Amelie Bhaluani March 25, 2021July 18, 2021
Posted inCulture A play for the Present: The Picture of Dorian Gray by Gaia Clark Nevola March 16, 2021July 18, 2021
Posted inCulture ‘There is no darkness but ignorance’: Sensation and subversion in Twelfth Night by Zoe Lambert March 14, 2021March 16, 2021
Posted inTheatre 7 (St)ages of Recovery – Why Nothing Says a Return to the Normal Quite Like Shakespeare’s Globe by Jessica Steadman March 10, 2021March 10, 2021
Posted inTheatre Mischievous Entertainment: A Preview of ‘Waiting For George-O’ by Reya Muller March 9, 2021July 18, 2021
Posted inCulture Candide, or why Optimism is not always for the best by Francesca Duke March 3, 2021July 18, 2021
