• News and Sport
    • Sports
    • Interviews
  • Opinion
    • Features
  • Global Affairs
    • Outside OX1
    • Across the Aisle
  • Identity
    • LGBTQ+
    • Feminism
    • Disability
    • ERM (Ethnic and Religious Minorities)
    • Diaries of a Thought Son
    • (Dis)abled
    • Not Just A Stereotype
    • Words of a Multiple
  • Environment
  • Culture
    • Film & TV
    • Music
    • Theatre
    • Fashion
    • Literature
  • Lifestyle
    • The Lifestyle Lowdown
    • Health and Wellbeing
    • Relationships
    • Travel
    • Food
    • Love Comes out of The Blue
  • Columns
    • Previous Columns
      • Beyond the Bubble
      • Love Letters
      • Musings of a Media Lover
      • Beyond the Footnotes
      • Heal Between the Lines
      • Admissions of a Rusticated Student
      • Objectifying Oxford
      • SaTired: Observations of a Finalist
      • Your College Auntie
      • Wine Waffle
    • Borders and Belonging
    • InterMEDIAte
    • Risk Appetite
  • Profiles
  • The Bluebell
  • Contact Us
  • Mailing List
  • Alumni – can you help us?
  • The Archive
    • 5 Years of The Blue
    • The Blueprint
    • Freshers’ Guides
      • The Oxford Blue Freshers’ Guide 2024
      • The Oxford Blue Freshers’ Guide 2023
      • The Oxford Blue Freshers’ Guide 2022
      • The Oxford Blue Freshers’ Guide 2021
  • Instagram
  • TikTok
  • Facebook Page
Skip to content
  • Instagram
  • TikTok
  • Facebook Page
The Oxford Blue

The Oxford Blue

Oxford University's Independent Newspaper | Est. 2020

  • News and Sport
    • Sports
    • Interviews
  • Opinion
    • Features
  • Global Affairs
    • Outside OX1
    • Across the Aisle
  • Identity
    • LGBTQ+
    • Feminism
    • Disability
    • ERM (Ethnic and Religious Minorities)
    • Diaries of a Thought Son
    • (Dis)abled
    • Not Just A Stereotype
    • Words of a Multiple
  • Environment
  • Culture
    • Film & TV
    • Music
    • Theatre
    • Fashion
    • Literature
  • Lifestyle
    • The Lifestyle Lowdown
    • Health and Wellbeing
    • Relationships
    • Travel
    • Food
    • Love Comes out of The Blue
  • Columns
    • Previous Columns
      • Beyond the Bubble
      • Love Letters
      • Musings of a Media Lover
      • Beyond the Footnotes
      • Heal Between the Lines
      • Admissions of a Rusticated Student
      • Objectifying Oxford
      • SaTired: Observations of a Finalist
      • Your College Auntie
      • Wine Waffle
    • Borders and Belonging
    • InterMEDIAte
    • Risk Appetite
  • Profiles
  • The Bluebell
  • Contact Us
  • Mailing List
  • Alumni – can you help us?
  • The Archive
    • 5 Years of The Blue
    • The Blueprint
    • Freshers’ Guides
      • The Oxford Blue Freshers’ Guide 2024
      • The Oxford Blue Freshers’ Guide 2023
      • The Oxford Blue Freshers’ Guide 2022
      • The Oxford Blue Freshers’ Guide 2021

Tag: review

Posted inCulture

Matthew Bourne’s Sleeping Beauty: An Exploration of Consent

by Agnes Halladay February 12, 2023
Posted inColumns

Sublime Drizzlings: My case against Paddington

by Chloe Smith February 9, 2023October 22, 2023
Posted inCulture

Best of 2022: Spacey Jane

by Swathi Srinivasan February 8, 2023February 8, 2023
Posted inCulture

House of Dragon: Looking back on Season 1

by Abigail Stevens February 3, 2023February 3, 2023
Posted inCulture

Entertaining Mr Sloane: Review 

by Lucas Haskins January 27, 2023January 27, 2023
Posted inCulture

Avatar: The Way of Water – Groundbreaking or an unnecessary sequel?

by Vlad-Silviu Coneschi January 23, 2023
Posted inCulture

Bones and All: “Wait, they eat people?!”

by Lucas Haskins January 19, 2023January 19, 2023
Posted inCulture

The Mousetrap at the New Theatre, Oxford – Review

by Katie Bowen January 17, 2023January 17, 2023
Posted inCulture

Conversations: So what do you know about love?

by Siena Jackson Wolfe January 14, 2023January 14, 2023
Posted inCulture

Dead Man’s Suitcase – Full of Surprises

by Ruth Port January 2, 2023January 2, 2023

Posts pagination

Newer posts 1 … 11 12 13 14 15 … 31 Older posts

Popular Posts

  • The cost of money: New College’s economic aspirations threaten ethical standards 
  • The Grand Egyptian Museum
    A Closer Look: The Grand Egyptian Museum
  • Not Choosing London
  • The cast of Company gathered together on the stage
    Stephen Sondheim’s Company at The Oxford Playhouse: Reviewed
  • Ranking Every Açaí Bowl in Oxford
  • Oxford Student Union Election Results Announced for 2026
  • Commodifying “Yellow Face”: A Reflection on Identity and (Self-)Representation
  • Oxford and Cambridge Set for Rugby Varsity Clash at StoneX Stadium
  • An image of three classic novels in a row, from left to right: Mary Shelley's Frankenstein, Jane Austen's Persuasion, and Emily Bronte's Wuthering Heights
    How Inaccurate is Too Inaccurate? Film Adaptations of Classic Literature
  • Orchestra in Sheldonian Theatre
    A Night of Narrative and Myth: OMO’s Prokofiev and Stravinsky Shine 

Borders and Belonging: Skin Tone and Social Status

Saba Ahmadzadeh Noughani Feb 6, 2026 12 min read
A collection of hands of various skin tones in a circle.

“We are in a white-dominated environment but this is no reason to deem others around us as “better” and hence attempt to cosplay someone else,…

Who Will Support the Support Workers?

Zach Rhodes Feb 6, 2026 6 min read
Who Will Support the Support Workers?

Support staff and social workers have been pushed into an impossible position: tasked with safeguarding vulnerable individuals while simultaneously managing shrinking budgets. “The story,” Josh…

Tennessee Williams’ The Glass Menagerie at the Keble O’Reilly: Reviewed

Janik Peeters Feb 5, 2026 6 min read
Three characters from the Glass Menagerie sit around a table.

Tennessee Williams’ The Glass Menagerie, staged by Crazy Child Productions, is a small, quiet kind of tragedy. References to Guernica, to war, leave us with…

John Logan’s Red at The Michael Pilch Studio: Reviewed

Rohit Ghosh Feb 5, 2026 5 min read
A man kneels on the ground in front of a large painting.

“The first thing I remember from my experience of watching Red was the smell.” Rohit Ghosh reviews Riptide Studio’s production of John Logan’s play Red.…

© 2026 The Oxford Blue Student Newspaper CIC | A new voice for a new decade | Est. 2020. Proudly powered by Newspack by Automattic Privacy Policy
  • Instagram
  • TikTok
  • Facebook Page
Go to mobile version