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The Oxford Blue

The Oxford Blue

Oxford University's Independent Newspaper | Est. 2020

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Tag: oxford student theatre

A student theatre set with two actors and a wooden structure which looks like a house.
Posted inCulture

A Tour of The Grove: Oxford’s Newest Student Theatre Space

by Janik Peeters March 20, 2026March 20, 2026
An actor dressed in traditional Chinese clothes
Posted inCulture

Prince Consort Ladygirl at the Keble O’Reilly: Reviewed

by Diya Pillai March 6, 2026March 6, 2026
A group of people stand around a woman lying on a chaise longue.
Posted inCulture

Little Women at Pembroke College’s Pichette Auditorium: Reviewed

by Rohit Ghosh March 5, 2026March 5, 2026
The two protagonists of Deaths and Entrances, Alf and Rube, face each other.
Posted inCulture

Deaths and Entrances at the Burton Taylor Studio: Reviewed

by Oliver Martin March 4, 2026March 4, 2026
Three women in green sing in front of a man wearing a sweater vest.
Posted inCulture

Little Shop of Horrors at the Keble O’Reilly: Reviewed

by Rohit Ghosh February 19, 2026February 19, 2026
A theatre in the centre of a theatre set. The audience are waiting.
Posted inCulture

Tick Tick… BOOM! at the Michael Pilch Studio: Reviewed

by Violet Wan February 14, 2026February 14, 2026
A man sits on the floor surrounded by books.
Posted inCulture

You Got Me at the Burton Taylor Studio: Reviewed

by Rohit Ghosh February 12, 2026February 12, 2026
A photo of a cast member in costume, a puppet and a puppeteer
Posted inCulture

Under Milk Wood at the Keble O’Reilly: Reviewed

by Mia Harrison November 14, 2025November 14, 2025
Posted inCulture

A View from the Bridge at the Oxford Playhouse: Reviewed

by Rohit Ghosh November 7, 2025November 7, 2025
An image of two cast members sat on a sofa of the set looking at each other
Posted inCulture

In Praise of Love at the Burton Taylor Studio: Reviewed

by Chau Anh Nguyen November 1, 2025November 1, 2025

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Artwork of key Oxford Landmarks, such as the Radcliffe Camera and Sheldonian Theatre, within a globe Image. Credit by Evie Fairclough-Kay

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