Posted inCulture Handbagged at the Oxford Playhouse: Reviewed by Janik Peeters May 22, 2025May 22, 2025
Posted inCulture An Imp-pressive Performance: Oxford Imps (“Infinite Jesters”) Reviewed by Emma Cooley May 22, 2025May 27, 2025
Posted inCulture The Final Salomé Reviewed: Queerness, Censorship, and the Cult of Memory by Ava Doherty May 17, 2025May 17, 2025
Posted inCulture Death of a Salesman at the Michael Pilch Studio: Reviewed by Hannah Stewart May 16, 2025June 13, 2025
Posted inCulture Kim’s Convenience at the Oxford Playhouse: Reviewed by Jade Glendinning and Mia Harrison May 16, 2025May 16, 2025
Posted inCulture How to write a show – and take it to the Fringe! by Emma Cooley May 2, 2025May 7, 2025
Posted inCulture “Hear ye, hear ye! Tomorrow, Oxford Medieval Mystery Plays (OMMP) are taking over St Edmund Hall once again…” by Rohit Ghosh April 25, 2025May 7, 2025
Posted inCulture “Who owns a transformation – the individual or those who shape them?” Pygmalion at the Oxford Playhouse: Reviewed by Lucie Fellwock April 3, 2025May 7, 2025
