Posted inCulture BEYOND THE FRAME: Come to the Cabaret by Leona Crawford February 8, 2021February 11, 2021
Posted inCulture A Comedy of Errors: Shit-Faced Shakespeare by Olivia Dunn February 8, 2021February 8, 2021
Posted inCulture There’s Something About Julie: NT Live Review by Francesca Duke January 19, 2021January 19, 2021
Posted inTheatre Uncle Vanya at the Pinter: A Revitalising Adaptation by Jigyasa Anand January 16, 2021January 18, 2021
Posted inTheatre The Dancing Men Review: An Engaging and Innovative Adaptation of a Sherlock Holmes Thriller by Gregor Roach December 26, 2020December 26, 2020
Posted inCulture, Theatre Plays That Made Me: Hamilton, the Listened Experience and the Democratisation of Musical Theatre by Grace Olusola December 16, 2020December 16, 2020
Posted inCulture A stage of one’s own: a review of ‘And the Walls Spoke’ by Helena Aeberli December 10, 2020July 18, 2021
Posted inCulture Simulacrum Review: An “Innovative and Daring” approach to lockdown theatrics by James Newbery December 2, 2020December 2, 2020
Posted inTheatre Learning from loss: How can the arts adapt and overcome by Ana Pagu November 30, 2020November 30, 2020
Posted inTheatre Behind the Scenes with the Cast and Crew of ‘And the walls spoke’ by Reya Muller November 30, 2020November 30, 2020
