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The Oxford Blue

The Oxford Blue

Oxford University's Independent Newspaper | Est. 2020

  • News and Sport
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      • Objectifying Oxford
      • SaTired: Observations of a Finalist
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Category: Culture

Posted inCulture

Crocodile Tears: A Love Story in the Age of Surveillance

by Ava Doherty June 12, 2025June 12, 2025
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Are big concerts still worth it, or is live music making a swift exit?

by Harriet Norris June 10, 2025June 9, 2025
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The Faces Behind Common Ground: Eddie Whittingham and Alex Chesters

by Lauren Lendrevie June 9, 2025June 8, 2025
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The Inability to Read for Leisure Disease

by Ngoc Diep (Alice) June 9, 2025June 9, 2025
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“He’s got my past frozen behind glass, but I’ve got me”: Why Taylor Swift’s masters matter

by Nithusha Sathyendran June 8, 2025June 8, 2025
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Popular, you’re gonna be popular – On the “Wicked: For Good” trailer release

by Patricia Euler June 7, 2025June 12, 2025
Dim lighting, two people lying on top of a table next to a laptop and various items as part of The Antipodes's setting
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Baker’s The Antipodes at the Michael Pilch Studio: Reviewed

by Rohit Ghosh June 6, 2025June 6, 2025
Poster for Full Moon Theatre's production of Blood Wedding, featuring a black and white photograph of a young woman in the middle and two young men on the side. She is dancing while they are looking at her. AT the top, "Blood wedding" is written in red.
Posted inCulture

Blood Wedding at the Oxford Playhouse: Reviewed

by Lucie Fellwock June 6, 2025June 6, 2025
Posted inCulture

ART at the Burton Taylor Studio: Reviewed

by Janik Peeters June 5, 2025June 5, 2025
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So Bad, it’s Good: Twilight, ACOTAR and the eternal girlhood of romantasy

by Jade Glendinning June 2, 2025June 13, 2025

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