Posted inCulture Exploring the ‘New World’: OUPhil Trinity Concert Review by George Finney May 24, 2025May 24, 2025
Posted inCulture “As the good book says…”: Eglesfield Presents Fiddler on the Roof by George Burton-Davies May 23, 2025May 23, 2025
Posted inCulture Handbagged at the Oxford Playhouse: Reviewed by Janik Peeters May 22, 2025May 22, 2025
Posted inCulture An Imp-pressive Performance: Oxford Imps (“Infinite Jesters”) Reviewed by Emma Cooley May 22, 2025May 27, 2025
Posted inCulture Why Kafka’s The Trial Still Resonates, 100 Years On by Joshua McGillivray May 20, 2025May 20, 2025
Posted inCulture Defending A Villain: Fleabag and the ‘Wrong’ Type of Grief by Dami Adedoyin-Adeniyi May 19, 2025May 18, 2025
Posted inCulture The Final Salomé Reviewed: Queerness, Censorship, and the Cult of Memory by Ava Doherty May 17, 2025May 17, 2025
Posted inCulture Death of a Salesman at the Michael Pilch Studio: Reviewed by Hannah Stewart May 16, 2025June 13, 2025
Posted inCulture Kim’s Convenience at the Oxford Playhouse: Reviewed by Jade Glendinning and Mia Harrison May 16, 2025May 16, 2025
