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The Oxford Blue

The Oxford Blue

Oxford University's Independent Newspaper | Est. 2020

  • News and Sport
    • Sports
    • Interviews
  • Opinion
    • Features
  • Global Affairs
    • Outside OX1
    • Across the Aisle
  • Identity
    • LGBTQ+
    • Feminism
    • Disability
    • ERM (Ethnic and Religious Minorities)
    • Diaries of a Thought Son
    • (Dis)abled
    • Not Just A Stereotype
    • Words of a Multiple
  • Environment
  • Culture
    • Film & TV
    • Music
    • Theatre
    • Fashion
    • Literature
  • Lifestyle
    • The Lifestyle Lowdown
    • Health and Wellbeing
    • Relationships
    • Travel
    • Food
    • Love Comes out of The Blue
  • Columns
    • Previous Columns
      • Beyond the Bubble
      • Love Letters
      • Musings of a Media Lover
      • Beyond the Footnotes
      • Heal Between the Lines
      • Admissions of a Rusticated Student
      • Objectifying Oxford
      • SaTired: Observations of a Finalist
      • Your College Auntie
      • Wine Waffle
    • Borders and Belonging
    • InterMEDIAte
    • Risk Appetite
  • Profiles
  • The Bluebell
  • Contact Us
  • Mailing List
  • Alumni – can you help us?
  • The Archive
    • 5 Years of The Blue
    • The Blueprint
    • Freshers’ Guides
      • The Oxford Blue Freshers’ Guide 2024
      • The Oxford Blue Freshers’ Guide 2023
      • The Oxford Blue Freshers’ Guide 2022
      • The Oxford Blue Freshers’ Guide 2021

Category: Culture

Posted inCulture

Are big concerts still worth it, or is live music making a swift exit?

by Harriet Norris June 10, 2025June 9, 2025
Posted inCulture

The Faces Behind Common Ground: Eddie Whittingham and Alex Chesters

by Lauren Lendrevie June 9, 2025June 8, 2025
An aesthetic bookshop, filled with books and art.
Posted inOpinion

The Inability to Read for Leisure Disease

by Ngoc Diep (Alice) June 9, 2025June 9, 2025
Posted inCulture

“He’s got my past frozen behind glass, but I’ve got me”: Why Taylor Swift’s masters matter

by Nithusha Sathyendran June 8, 2025June 8, 2025
Posted inCulture

Popular, you’re gonna be popular – On the “Wicked: For Good” trailer release

by Patricia Euler June 7, 2025June 12, 2025
Dim lighting, two people lying on top of a table next to a laptop and various items as part of The Antipodes's setting
Posted inCulture

Baker’s The Antipodes at the Michael Pilch Studio: Reviewed

by Rohit Ghosh June 6, 2025June 6, 2025
Poster for Full Moon Theatre's production of Blood Wedding, featuring a black and white photograph of a young woman in the middle and two young men on the side. She is dancing while they are looking at her. AT the top, "Blood wedding" is written in red.
Posted inCulture

Blood Wedding at the Oxford Playhouse: Reviewed

by Lucie Fellwock June 6, 2025June 6, 2025
Posted inCulture

ART at the Burton Taylor Studio: Reviewed

by Janik Peeters June 5, 2025June 5, 2025
Posted inCulture

So Bad, it’s Good: Twilight, ACOTAR and the eternal girlhood of romantasy

by Jade Glendinning June 2, 2025June 13, 2025
Posted inCulture

Oxford’s Garden Plays Tradition

by Harriet Norris June 1, 2025June 2, 2025

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Getting back on the (train) track: How keeping a travel journal got me writing again

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