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The Oxford Blue

The Oxford Blue

Oxford University's Independent Newspaper | Est. 2020

  • News and Sport
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      • Heal Between the Lines
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      • Objectifying Oxford
      • SaTired: Observations of a Finalist
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  • The Archive
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Category: Literature

Posted inCulture

Here to stay: Celebrity literature and Lana Del Rey

by Maebh Howell July 27, 2020July 27, 2020
Posted inLifestyle

Why I’m reading the advice of an ex-Navy SEAL whilst in isolation

by Anna van Wingerden May 11, 2020July 18, 2021
Posted inCulture

Jack Fairweather wins Costa Book of the Year with ‘The Volunteer’

by Martha Davies May 11, 2020May 11, 2020
Posted inCulture

‘Abnormally Normal’

by Gracie Bolt May 7, 2020May 7, 2020
Posted inCulture

Tales from the Bookshelf: The Lord of the Rings

by Helena Aeberli May 5, 2020May 5, 2020
Posted inCulture

Guilty Pleasures III: Bridget Jones’ Diary

by Victoria Stone April 30, 2020April 30, 2020
Posted inCulture

Review: Hilary Mantel – The Mirror & the Light

by Joseph Geldman April 19, 2020April 19, 2020
Posted inCulture

“Guilty Pleasures” II: In Defence of Sarah J. Maas

by Maddy Ross April 16, 2020April 16, 2020
Posted inCulture

The magic of rediscovery: V.E Schwab’s ‘A Darker Shade of Magic’

by Alicia Hayden April 13, 2020April 13, 2020
Posted inCulture

“Guilty Pleasures”: In Defence of Reading Harry Potter

by Tom Martland April 8, 2020April 8, 2020

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Lola Dunton-Milenkovic Feb 23, 2026 8 min read
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On 3 October 2025, the Church of England announced that Bishop Sarah Mullally had been nominated as the 106th Archbishop of Canterbury, making her the…

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Amnesty International Society Revived by Oxford Students: In Conversation with the Co-Founders

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Hopelessness appears to be a common feeling in today’s political climate. Yet co-founders of the new Oxford Students Amnesty International society, Seth Olner and Ned…

AFCON, Vela and Dubai: The Disposability of the Black Muslim Identity

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Farida Aboubacar examines the cost of silence and what it means when unity is upheld by overlooking injustice, through the lens of AFCON’s contested narratives…

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