Posted inCulture John Webster’s The White Devil at St John’s College Auditorium: Reviewed by Mhairi Beken March 13, 2026March 13, 2026
Posted inIdentity “We are their legacy”: Blue Stockings and the Path Paved So Far. by Isobel Gurnett March 6, 2026March 6, 2026
Posted inCulture Deaths and Entrances at the Burton Taylor Studio: Reviewed by Oliver Martin March 4, 2026March 4, 2026
Posted inCulture To be Cringe is to be Free: In Defence of the Cast Party by Aimee Dixson March 1, 2026March 1, 2026
Posted inCulture What’s With All the Smoke? Cigarettes on Stage in Oxford and Beyond by Janik Peeters February 21, 2026February 21, 2026
Posted inCulture My Dead Mum’s AI Boyfriend at the Burton Taylor Studio: Reviewed by Jas Inayat Singh Mauj February 6, 2026February 6, 2026
Posted inCulture Tennessee Williams’ The Glass Menagerie at the Keble O’Reilly: Reviewed by Janik Peeters February 5, 2026February 5, 2026
Posted inTheatre John Logan’s Red at The Michael Pilch Studio: Reviewed by Rohit Ghosh February 5, 2026February 5, 2026
Posted inStudent Drama Sam Steiner’s Lemons Lemons Lemons Lemons Lemons at the Burton Taylor Studio: Reviewed by Janik Peeters January 29, 2026January 29, 2026
Posted inIdentity Commodifying “Yellow Face”: A Reflection on Identity and (Self-)Representation by Violet Wan January 24, 2026January 24, 2026
