Posted inCulture The Writer at the Michael Pilch Studio: Reviewed by Janik Peeters June 13, 2025June 13, 2025
Posted inCulture Blood Wedding at the Oxford Playhouse: Reviewed by Lucie Fellwock June 6, 2025June 6, 2025
Posted inCulture “Hear ye, hear ye! Tomorrow, Oxford Medieval Mystery Plays (OMMP) are taking over St Edmund Hall once again…” by Rohit Ghosh April 25, 2025May 7, 2025
Posted inCulture “Who owns a transformation – the individual or those who shape them?” Pygmalion at the Oxford Playhouse: Reviewed by Lucie Fellwock April 3, 2025May 7, 2025
Posted inCulture “We’re really trying to make it as scary as possible.” In conversation with the director of The Pillowman by Emma Cooley February 25, 2025May 29, 2025
Posted inCulture Jonathan Bailey as Richard II: ‘dynamic and often comical’ by Kiaya Phillips February 13, 2025May 29, 2025
Posted inCulture Kirkwood’s The Children at the Burton Taylor Studio: Reviewed by Eliza Copland February 6, 2025May 29, 2025
Posted inCulture Make me ugly: Friendship, lust, and directing Othello. by Cici Zhang January 29, 2025July 2, 2025
