Posted inCulture Why Kafka’s The Trial Still Resonates, 100 Years On by Joshua McGillivray May 20, 2025May 20, 2025
Posted inCulture The Final Salomé Reviewed: Queerness, Censorship, and the Cult of Memory by Ava Doherty May 17, 2025May 17, 2025
Posted inCulture Death of a Salesman at the Michael Pilch Studio: Reviewed by Hannah Stewart May 16, 2025June 13, 2025
Posted inCulture Kim’s Convenience at the Oxford Playhouse: Reviewed by Jade Glendinning and Mia Harrison May 16, 2025May 16, 2025
Posted inCulture Vocatio:Responsio and Rethinking the ‘Other Options’ by George Finney May 14, 2025May 14, 2025
Posted inCulture The Tate Bod-ern (or Exhibition 004: Reviewed) by Mia Harrison May 7, 2025May 7, 2025
Posted inCulture “Who owns a transformation – the individual or those who shape them?” Pygmalion at the Oxford Playhouse: Reviewed by Lucie Fellwock April 3, 2025May 7, 2025
Posted inCulture The Severance Finale: A Test in Media Literacy by Daisy Outram March 29, 2025May 7, 2025
Posted inCulture Shakespeare’s Richard II in St John’s Chapel: Reviewed by Jade Glendinning March 14, 2025July 2, 2025
