Posted inCulture The Pillowman at the Michael Pilch Studio: Reviewed by Lola Forbes March 7, 2025May 29, 2025
Posted inCulture “We’re really trying to make it as scary as possible.” In conversation with the director of The Pillowman by Emma Cooley February 25, 2025May 29, 2025
Posted inCulture ENRON Review: A Riveting Tale of Corporate Greed by Ava Doherty February 15, 2025May 29, 2025
Posted inCulture Pinter’s The Lover at the Keble O’Reilly: Reviewed by Rohit Ghosh February 5, 2025May 29, 2025
Posted inCulture Make me ugly: Friendship, lust, and directing Othello. by Cici Zhang January 29, 2025July 2, 2025
Posted inCulture ‘You will laugh, you will sigh, and you will squirm’ Review of Les Liaisons Dangereuses by Kiaya Phillips November 9, 2024November 9, 2024
Posted inCulture Demystifying OUDS: Interview with President Lydia Free by Kiaya Phillips October 6, 2024October 6, 2024
Posted inCulture ‘As clean and witty as the original script’: Review of The Real Thing by Sofia Mollona September 15, 2024September 17, 2024
Posted inCulture ‘Political, comedic, violent, emotive and moving’, James Corden returns to the stage: Review of The Constituent by Kiaya Phillips July 9, 2024July 9, 2024
Posted inCulture In Conversation with Bright Ong, puppeteer of My Neighbour Totoro by Caitlyn Tan January 28, 2024January 28, 2024
