Posted inCultures How much actually is there to love in Richard Curtis’ Love Actually by Jaya Rana December 24, 2020December 24, 2020
Posted inCultures Roman Holiday: Where Wishes Come True by Yexuan Zhu December 14, 2020December 14, 2020
Posted inCultures The existential crisis of The Princess Switch 2: Switched Again by Thang Tu December 8, 2020July 18, 2021
Posted inCultures Cinema’s Danish Doyen: Why Try Dreyer? by Oscar Jelley November 22, 2020November 23, 2020
Posted inFilm & TV Das Leben Der Anderen: the importance of art in 1980s East Germany by Jennifer Goodier November 9, 2020November 9, 2020
Posted inCultures Sinister Spirituality in Rose Glass’ ‘Saint Maud’ by Joanne McNulty November 7, 2020November 7, 2020
Posted inFilm & TV Burning and Parasite: South Korea shows international film at its finest by Mitchell Marshall November 1, 2020November 1, 2020
Posted inCultures Coming in from the Cold: A love letter to cinemas on the edge by Leona Crawford October 26, 2020October 26, 2020
Posted inCultures Attenborough’s A Life On Our Planet: Beautiful, Impassioned But Ultimately Cautious by Eleanor Horton October 24, 2020October 24, 2020
Posted inCultures Enola Holmes: Heralding a Future of Female Empowerment by Charlie Croft October 12, 2020October 12, 2020