culture Archives - Page 26 of 28 - The Oxford Blue

Talking Heads: Alan Bennett’s Elegy for the Everyday

by Oscar Jelley July 15, 2020September 3, 2020

Spacetime Paradoxes and German Philosophy: A Review of Dark

by Ella Khulusi July 13, 2020July 16, 2020

Creativity in Crisis: part six

by Gaia Clark Nevola July 4, 2020September 19, 2020

Josie Moir's artwork

Inspired and Informed with London Drawing Group

by Josie Moir June 23, 2020July 18, 2021

Creativity and Crisis x SOTA: part five

by Gaia Clark Nevola June 16, 2020June 16, 2020

Creativity in Crisis: part four

by Gaia Clark Nevola May 28, 2020May 28, 2020

Creativity in Crisis: part three

by Gaia Clark Nevola May 12, 2020May 12, 2020

Disney+: An Unlikely Coronavirus Saviour?

by Devanshika Bajpai May 6, 2020May 6, 2020

Local Guides: Daniel’s Liverpool

by Dan Hubbard April 27, 2020April 26, 2020

Tarantino: Quent-essential Film Making

by Nikita Baryshnikov April 24, 2020April 25, 2020

Constellations at the Burton Taylor Studio: Reviewed

Laurence Britton May 14, 2026 4 min read

Nancy and Rowland from Constellations

“Technically excellent, dramatically fascinating: Nova Productions’ first play is a very confident start indeed.” Janik Peeters reviews Nick Payne’s Constellations

Low Concept: A Succinct and Marketable Premise

Eliza Kaminska-Benadat May 14, 2026 6 min read

Photo of an Oxford College at dusk.

T. Sehgal introduces the concept and reasoning behind her column. It is an exploration behind the purpose and process of her writing, while diving into…

Could this be a musical?

Rohit Ghosh May 14, 2026 7 min read

A graphic of a taxi shining lights on a Pope and a man.

“Could this be a musical?” Have you ever had this thought while watching a film? After reading a book, seeing a painting, or learning about…

What has Marvel to do with Homer?

Isabella Hamilton Dale May 14, 2026 5 min read

Christopher Nolan filming Dunkirk

“If any film should be able to sell itself on its own two feet, it should surely be Christopher Nolan’s The Odyssey. Instead, we are…