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The Oxford Blue

The Oxford Blue

Oxford University's independent newspaper | A new voice for a new decade | Est. 2020..

  • Oxford News
    • Interviews
  • Opinion
    • Features
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    • Across the Aisle
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    • Not Just A Stereotype
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    • Love Comes out of The Blue
  • Columns
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    • Love Letters
    • Musings of a Media Lover
    • Beyond the Footnotes
    • Heal Between the Lines
    • Admissions of a Rusticated Student
    • Objectifying Oxford
    • SaTired: Observations of a Finalist
    • Your College Auntie
  • Profiles
  • The Bluebell
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Category: Interviews

Posted inInterviews

A discussion with Shariq Haidery: The North, Pakistan, Oxford and me.

by Molayo Ogunde March 2, 2021December 27, 2021
Posted inCulture

The Last Stand Album Review

by Josh Russell February 20, 2021February 20, 2021
Posted inInterviews

An Interview with Nancy Mudenyo Hunt: an award-winning philanthropist

by Phoebe Jowett Smith February 5, 2021February 5, 2021
Posted inInterviews

Life on the World Tour: An Interview with Mark Donovan

by Oliver Bater February 4, 2021February 4, 2021
Posted inInterviews

Coronavirus testing with Dr. Lennard Lee

by Ben Blackburn January 28, 2021December 27, 2021
Posted inCulture

Rhizome Renga: maps of connection

by Gaia Clark Nevola January 23, 2021January 24, 2021
Posted inInterviews

Tim Harford on Economics, Statistics, and the Pandemic

by Ben Blackburn January 17, 2021December 27, 2021
Posted inInterviews

CloseTheLockdownGap with Mustafaen Kamal

by Oliver Bater January 12, 2021January 12, 2021
Posted inInterviews

Sundry Style with Nick Foulkes: “I dug deeply into the surface of things”

by Osian Williams January 4, 2021February 21, 2021
Posted inInterviews

Meet Thred, the Gen-Z Media Company

by Elliot Sturge November 25, 2020December 27, 2021

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Why I Refuse to Wear The Red Poppy

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Department for Culture, Media and Sport, Public domain, via Wikimedia Commons

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Meta-Whorf-asis: on litost and translated fiction

Orla Case Dec 3, 2025 6 min read
Meta-Whorf-asis: on litost and translated fiction

‘The term depicts a feeling “as infinite as an open accordion, a synthesis of grief, sympathy, remorse, and indefinable longing”, which begs the question –…

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