Posted inCulture Mute Point: live comedy during and after the pandemic by Alex Burgar April 14, 2021April 14, 2021
Posted inCulture The Sound Of Magic: Revisiting the Pre-Covid Stage with Harry Potter and the Cursed Child by Amelie Bhaluani March 25, 2021July 18, 2021
Posted inCulture Radio Play Review: ‘The slipping, vanishing village of Spoon River’ by Maya Little March 24, 2021March 24, 2021
Posted inCulture A play for the Present: The Picture of Dorian Gray by Gaia Clark Nevola March 16, 2021July 18, 2021
Posted inCulture ‘Joseph’ – ahead of its time or woefully behind the curve? by Jessica Steadman March 14, 2021March 14, 2021
Posted inCulture ‘There is no darkness but ignorance’: Sensation and subversion in Twelfth Night by Zoe Lambert March 14, 2021March 16, 2021
Posted inTheatre 7 (St)ages of Recovery – Why Nothing Says a Return to the Normal Quite Like Shakespeare’s Globe by Jessica Steadman March 10, 2021March 10, 2021
Posted inTheatre Mischievous Entertainment: A Preview of ‘Waiting For George-O’ by Reya Muller March 9, 2021July 18, 2021
Posted inCulture Candide, or why Optimism is not always for the best by Francesca Duke March 3, 2021July 18, 2021
Posted inTheatre Sea Wall Review: An Elegant, Emotionally-Powerful Production by Gaia Clark Nevola February 23, 2021February 23, 2021
