Posted inCultures Candide, or why Optimism is not always for the best by Francesca Duke March 3, 2021July 18, 2021
Posted inTheatre Sea Wall Review: An Elegant, Emotionally-Powerful Production by Gaia Clark Nevola February 23, 2021February 23, 2021
Posted inTheatre ‘Spoon River Anthology’ Preview: Innovation and Creativity Triumph by Reya Muller February 22, 2021February 22, 2021
Posted inCultures BEYOND THE FRAME: Not Throwing Away My Shot – Can digital adaptations still bring us drama? by Jessica Steadman February 19, 2021February 19, 2021
Posted inCultures BEYOND THE FRAME: Come to the Cabaret by Leona Crawford February 8, 2021February 11, 2021
Posted inCultures A Comedy of Errors: Shit-Faced Shakespeare by Olivia Dunn February 8, 2021February 8, 2021
Posted inBeyond The Frame BEYOND THE FRAME: Timeless Tales by Grace Olusola February 5, 2021February 5, 2021
Posted inCultures There’s Something About Julie: NT Live Review by Francesca Duke January 19, 2021January 19, 2021
Posted inTheatre Uncle Vanya at the Pinter: A Revitalising Adaptation by Jigyasa Anand January 16, 2021January 18, 2021
Posted inTheatre The Dancing Men Review: An Engaging and Innovative Adaptation of a Sherlock Holmes Thriller by Gregor Roach December 26, 2020December 26, 2020