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Oxford University's independent newspaper | A new voice for a new decade | Est. 2020..

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Category: Theatre

An image of four cast members sat and laughing around a table of the set
Posted inCulture

The Detention at the Michael Pilch Studio: Reviewed

by Rohit Ghosh October 31, 2025November 3, 2025
Posted inCulture

Uncle Vanya at the Keble O’Reilly Theatre: Reviewed

by Esme Gutch October 31, 2025October 31, 2025
The silhouettes of a couple holding hands behind a white sheet
Posted inCulture

The Last Five Years at the Michael Pilch Studio: Reviewed

by Oliver Martin October 17, 2025October 16, 2025
Iago
Posted inCulture

Iago: Working Class Villain?

by Ebony-Coco De Lara June 20, 2025June 20, 2025
Illustration of an actor on stage, holding a skull in his left hand and surrounded by laughter
Posted inCulture

Why does tragedy make us laugh?

by Aria Chakravorty June 15, 2025June 15, 2025
Posted inCulture

The Writer at the Michael Pilch Studio: Reviewed

by Janik Peeters June 13, 2025June 13, 2025
Posted inCulture

Crocodile Tears: A Love Story in the Age of Surveillance

by Ava Doherty June 12, 2025June 12, 2025
Dim lighting, two people lying on top of a table next to a laptop and various items as part of The Antipodes's setting
Posted inCulture

Baker’s The Antipodes at the Michael Pilch Studio: Reviewed

by Rohit Ghosh June 6, 2025June 6, 2025
Poster for Full Moon Theatre's production of Blood Wedding, featuring a black and white photograph of a young woman in the middle and two young men on the side. She is dancing while they are looking at her. AT the top, "Blood wedding" is written in red.
Posted inCulture

Blood Wedding at the Oxford Playhouse: Reviewed

by Lucie Fellwock June 6, 2025June 6, 2025
Posted inCulture

ART at the Burton Taylor Studio: Reviewed

by Janik Peeters June 5, 2025June 5, 2025

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Vinci Ng Dec 5, 2025 11 min read
“A City on Fire”: Hong Kong in Mourning After Deadly Tai Po Inferno  

This file is licensed under the Creative Commons Attribution 3.0 Unported license. Hong Kong is in collective mourning.  On 26 November, a catastrophic fire tore through the Wang…

‘Moments drawn out fine’: Sitting With Gwen John’s ‘The Convalescent’ and Dorothy Richardson’s Pilgrimage

Esme Gutch Dec 5, 2025 8 min read
A photo of Gwen John's The Convalescent

“To sit and look at Gwen John’s ‘The Convalescent’ is to become acutely aware of one’s own body, “the shape and weight of each limb”.”…

Why I Refuse to Wear The Red Poppy

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