Posted inTheatre ‘Spoon River Anthology’ Preview: Innovation and Creativity Triumph by Reya Muller February 22, 2021February 22, 2021
Posted inCulture BEYOND THE FRAME: Not Throwing Away My Shot – Can digital adaptations still bring us drama? by Jessica Steadman February 19, 2021February 19, 2021
Posted inCulture BEYOND THE FRAME: Come to the Cabaret by Leona Crawford February 8, 2021February 11, 2021
Posted inCulture A Comedy of Errors: Shit-Faced Shakespeare by Olivia Dunn February 8, 2021February 8, 2021
Posted inCulture There’s Something About Julie: NT Live Review by Francesca Duke January 19, 2021January 19, 2021
Posted inTheatre Uncle Vanya at the Pinter: A Revitalising Adaptation by Jigyasa Anand January 16, 2021January 18, 2021
Posted inTheatre The Dancing Men Review: An Engaging and Innovative Adaptation of a Sherlock Holmes Thriller by Gregor Roach December 26, 2020December 26, 2020
Posted inCulture, Theatre Plays That Made Me: Hamilton, the Listened Experience and the Democratisation of Musical Theatre by Grace Olusola December 16, 2020December 16, 2020
Posted inCulture A stage of one’s own: a review of ‘And the Walls Spoke’ by Helena Aeberli December 10, 2020July 18, 2021
Posted inCulture Simulacrum Review: An “Innovative and Daring” approach to lockdown theatrics by James Newbery December 2, 2020December 2, 2020
