Culture Archives - Page 94 of 95 - The Oxford Blue

Miss Americana: Why I have Bad Blood with Taylor Swift’s new documentary

by Tatiana Gilfillan February 10, 2020February 10, 2020

The Lighthouse Review: Barnacled Bathos

by Colette Webber February 9, 2020February 10, 2020

What We’re Into This Week: 9/2/20

by Emmeline Armitage February 9, 2020February 9, 2020

Measure for Measure review: “A whirlwind of corruption and office intrigue”

by Osian Williams February 8, 2020December 23, 2020

Parasite Review: Mischievous Genius

by Bailey Finch-Robson February 7, 2020February 8, 2020

Not What She Intended: a review of American Dirt

by Neil Natarajan February 6, 2020February 8, 2020

The Great Netflix Binge Off

by Emma Rath February 5, 2020February 5, 2020

What We’re Into This Week: 02/02/20

by Emmeline Armitage February 2, 2020February 2, 2020

Review: The Pillowman

by Reya Muller February 1, 2020February 1, 2020

Taking the High Road – Most Anticipated Pop Albums of 2020 So Far

by Chloé Agar January 31, 2020July 29, 2024

“A joy to listen to”: Jekyll & Hyde Reviewed

Emma Cooley Feb 28, 2025 5 min read

“A joy to listen to”: Jekyll & Hyde Reviewed

“The fact that my biggest quibble with Jekyll & Hyde is its mysteriously disappearing canes, is a testament to the quality of the show.” Emma…

30 Terms You Should Know About the Climate Crisis!

Sophie Williams Feb 28, 2025 7 min read

Picture of El Yunque National Forest in Puerto Rico.

“Confused about the climate crisis? Not sure where to start? Don’t worry!” Sophie Williams highlights 30 key terms that everyone should know to stay informed…

Game-changing threads: Fashion x sport

George Roberts Feb 28, 2025 7 min read

Illustration of (from left to right) a racesuit, a football kit, and a tennis outfit.

“Blend artistic flair on the pitch with aesthetic and functional clothing and you’ve got a winning formula.” George Roberts evaluates the crossover of fashion and…

Julie at the Michael Pilch Studio: Reviewed

Lucie Fellwock Feb 27, 2025 5 min read

Image by Hilla Sewell and Sam Greetham, used with permission

“Free shots were offered, dancers on and off stage were already fully immersed in the play’s narrative and encouraged me to join them in dancing…