Posted inCulture Les Cahiers d’Esther and the Problem of Writing Childhood by Eve Coiley September 22, 2024September 22, 2024
Posted inCulture ‘As clean and witty as the original script’: Review of The Real Thing by Sofia Mollona September 15, 2024September 17, 2024
Posted inCulture The BookTok film we have all been waiting for: Review of ‘It Ends with Us’ by Kiaya Phillips August 22, 2024August 21, 2024
Posted inCulture The new modern author: Coco Mellors – “characters that are as addictive as the substances that plague them.” by Kiaya Phillips August 15, 2024August 14, 2024
Posted inCulture Copenhagen fashion week SS25: Knitwear, Streetwear and Inclusivity by Kiaya Phillips August 9, 2024August 9, 2024
Posted inCulture The Boy and The Heron: Miyazaki’s return to feature filmmaking? by Federica Pescini August 2, 2024August 27, 2024
Posted inCulture ‘Projecting me and my inner emotional landscape onto what I create. That’s all art really is.’ Interview with dark pop artist GG Fearn by Kiaya Phillips July 22, 2024July 22, 2024
Posted inCulture ‘Political, comedic, violent, emotive and moving’, James Corden returns to the stage: Review of The Constituent by Kiaya Phillips July 9, 2024July 9, 2024
Posted inLiterature “my heart is a church bell but nobody visits”: a Review of Joelle Taylor’s C+nto & Othered Poems by Alice Brooker July 2, 2024July 2, 2024
