• News and Sport
    • Sports
    • Interviews
  • Opinion
    • Features
  • Global Affairs
    • Outside OX1
    • Across the Aisle
  • Identity
    • LGBTQ+
    • Feminism
    • Disability
    • ERM (Ethnic and Religious Minorities)
    • Diaries of a Thought Son
    • (Dis)abled
    • Not Just A Stereotype
    • Words of a Multiple
  • Environment
  • Culture
    • Film & TV
    • Music
    • Theatre
    • Fashion
    • Literature
  • Lifestyle
    • The Lifestyle Lowdown
    • Health and Wellbeing
    • Relationships
    • Travel
    • Food
    • Love Comes out of The Blue
  • Columns
    • Previous Columns
      • Beyond the Bubble
      • Love Letters
      • Musings of a Media Lover
      • Beyond the Footnotes
      • Heal Between the Lines
      • Admissions of a Rusticated Student
      • Objectifying Oxford
      • SaTired: Observations of a Finalist
      • Your College Auntie
      • Wine Waffle
    • Borders and Belonging
    • InterMEDIAte
    • Risk Appetite
  • Profiles
  • The Bluebell
  • Contact Us
  • Mailing List
  • Alumni – can you help us?
  • The Archive
    • 5 Years of The Blue
    • The Blueprint
    • Freshers’ Guides
      • The Oxford Blue Freshers’ Guide 2024
      • The Oxford Blue Freshers’ Guide 2023
      • The Oxford Blue Freshers’ Guide 2022
      • The Oxford Blue Freshers’ Guide 2021
  • Instagram
  • TikTok
  • Facebook Page
Skip to content
  • Instagram
  • TikTok
  • Facebook Page
The Oxford Blue

The Oxford Blue

Oxford University's Independent Newspaper | Est. 2020

  • News and Sport
    • Sports
    • Interviews
  • Opinion
    • Features
  • Global Affairs
    • Outside OX1
    • Across the Aisle
  • Identity
    • LGBTQ+
    • Feminism
    • Disability
    • ERM (Ethnic and Religious Minorities)
    • Diaries of a Thought Son
    • (Dis)abled
    • Not Just A Stereotype
    • Words of a Multiple
  • Environment
  • Culture
    • Film & TV
    • Music
    • Theatre
    • Fashion
    • Literature
  • Lifestyle
    • The Lifestyle Lowdown
    • Health and Wellbeing
    • Relationships
    • Travel
    • Food
    • Love Comes out of The Blue
  • Columns
    • Previous Columns
      • Beyond the Bubble
      • Love Letters
      • Musings of a Media Lover
      • Beyond the Footnotes
      • Heal Between the Lines
      • Admissions of a Rusticated Student
      • Objectifying Oxford
      • SaTired: Observations of a Finalist
      • Your College Auntie
      • Wine Waffle
    • Borders and Belonging
    • InterMEDIAte
    • Risk Appetite
  • Profiles
  • The Bluebell
  • Contact Us
  • Mailing List
  • Alumni – can you help us?
  • The Archive
    • 5 Years of The Blue
    • The Blueprint
    • Freshers’ Guides
      • The Oxford Blue Freshers’ Guide 2024
      • The Oxford Blue Freshers’ Guide 2023
      • The Oxford Blue Freshers’ Guide 2022
      • The Oxford Blue Freshers’ Guide 2021

Author Archives: Gaia Clark Nevola

Gaia Clark Nevola (she/ they) was the Senior Editor for Culture from June 2020 to March 2021 and is now the paper's welfare officer and a member of the board. She is in her second year studying English at St. Catz where they are also LGBTQ+ welfare rep. Gaia is the Bi Rep on the SU LGBTQ+ Campaign committee and sometimes does costumes for student theatre. She is the proud owner of a questionable mullet and enjoys telling people that she's actually half Italian, as though that constitutes having a personality. She set up Creativity in Crisis and worked on the new arts publication The Blueprint.

Posted inTheatre

Behind the Scenes with the Raise Your Voice Theater Collective

by Gaia Clark Nevola September 4, 2020September 4, 2020
Posted inCulture

Creativity in Crisis: part seven

by Gaia Clark Nevola August 8, 2020September 19, 2020
Posted inCulture

“If I were stranded on a desert island, I would bring…”: Meet the Culture Section Editors! (Part 2)

by Gaia Clark Nevola July 21, 2020July 21, 2020
Posted inCulture

Creativity in Crisis: part six

by Gaia Clark Nevola July 4, 2020September 19, 2020
Posted inOxford News

Creativity and Crisis x SOTA: part five

by Gaia Clark Nevola June 16, 2020June 16, 2020
Posted inCulture

Creativity in Crisis: part four

by Gaia Clark Nevola May 28, 2020May 28, 2020
Posted inCulture

Creativity in Crisis: part three

by Gaia Clark Nevola May 12, 2020May 12, 2020
Posted inTheatre

The National Theatre’s Frankenstein: a Play of Human Cruelty

by Gaia Clark Nevola May 4, 2020July 18, 2021
Posted inTheatre

Behind the Scenes: a preview of Richard II

by Gaia Clark Nevola May 1, 2020July 18, 2021
Posted inTheatre

Treasure Island: National Theatre Online

by Gaia Clark Nevola April 21, 2020July 18, 2021

Posts pagination

Newer posts 1 2 3 Older posts

Popular Posts

  • The Oxford Union chamber.
    Oxford Union Term Card Released for Hilary Term 2026
  • The cost of money: New College’s economic aspirations threaten ethical standards 
  • The Grand Egyptian Museum
    A Closer Look: The Grand Egyptian Museum
  • Not Choosing London
  • Commodifying “Yellow Face”: A Reflection on Identity and (Self-)Representation
  • The cast of Company gathered together on the stage
    Stephen Sondheim’s Company at The Oxford Playhouse: Reviewed
  • Local Elections Confirmed in Oxfordshire This May
  • Ranking Every Açaí Bowl in Oxford
  • In defence of the assisted dying bill
  • A girl looking out into the distance in a field
    Borders and Belonging: The Politics of the “Good Immigrant”

‘Brainrot’: An Internet Phenomenon with Real-World Consequences

Gaia Clark Nevola Feb 8, 2026 6 min read
An illustration of a brain connected to both drawings representing social media, but also ones representing academic life in Oxford.

“Even in one of the world’s most renowned academic institutions (no bias, of course), we use slang from the internet in the same places in…

So Bad, It’s Good: In Defence of My Oxford Year

Gaia Clark Nevola Feb 7, 2026 5 min read
The Radcliffe Camera, a setting in My Oxford Year.

Arun Lewis defends My Oxford Year, and explores the satirical potential in its outdated stereotypes.

The Sheldonian Series: A Discussion of Activism – Palestine Action, Public Protest, and Democracy

Gaia Clark Nevola Feb 6, 2026 6 min read
The panel and moderator seated on stage at the Sheldonian Series talk on 'The Power of Activism'.

Hilary term’s instalment in the Sheldonian Series convened on 4 February, discussing ‘The Power of Activism’. The series is the Vice-Chancellor’s initiative, gathering a panel…

My Dead Mum’s AI Boyfriend at the Burton Taylor Studio: Reviewed

Gaia Clark Nevola Feb 6, 2026 5 min read
A person looks up above them dreamily.

“The world of My Dead Mum’s AI Boyfriend is populated with bodiless voices.” Jas Inayat Singh Mauj reviews My Dead Mum’s AI Boyfriend at the…

© 2026 The Oxford Blue Student Newspaper CIC | A new voice for a new decade | Est. 2020. Proudly powered by Newspack by Automattic Privacy Policy
  • Instagram
  • TikTok
  • Facebook Page
Go to mobile version